![]() ![]() ![]() When location audio is recorded with shotgun microphones, the ambient quality of a space can be captured along with it. Exteriors can be surrounded in trees that deadens the sound reflections, or it could be canyons that echo the sound for miles. The dimensions – is it a large space or small space, does it have high ceilings or no ceiling at all? What material is the space made of, is it a large room with plaster or dry wall, or is it a small bathroom made with tile and marble? Exteriors have different reverb characteristics than interior spaces. Many things will affect the reverb of a space. ![]() In other words, how does it sound if I clap my hands in this room? How does it sound if I clap my hands in a cave? What I hear with the clap is the reverberation of that space.Įvery space we occupy has some sort of reverb characteristic to it. Reverberation is a physical trait, defined in physics as – the persistence of sound caused by multiple reflections in a space. The pitches, the frequency, the loudness and how the spaces interact with the sounds, contribute to the ultimate blend of it all. There are a wide variety of factors contributing to the quality of sounds that we hear in our lives throughout the day. You can check out the entire series here, and also use the #MixingMondays hashtag to send us feedback about some brand new audio content. Given the renewed focus on the importance of audio for productions of all types, PVC has decided to republish it as a daily series this month along with a new entry from Woody at the end. Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. ![]()
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